Academy of Shashmaqam, Dushambe. From left to right you see here the three instruments:
Dutar, Sato, Tanbur and behind the Doira.
Dutar, Sato, Tanbur and behind the Doira.
Here a private CD of Shashmaqam from Tajikistan. My dear friend Danny obtained this CD years ago during his trip to Tajikistan. He had met there - I think during his stay in Dushambe, the capital of Tajikistan - a young man who spoke English well and Danny mentioned to him that he was searching for recordings of Shashmaqam. This young man told him that he could obtain some recordings for him. A couple of days later he gave him this CD without any further information.
It turned out that this was a MP3-CD containing around 5 hours of well recorded Shashmaqam. There are three groups of recordings, each containing three pieces:
Mugulchai:
1. Mugulchai Buzruk
2. Mugulchai Dugoh
3. Mugulchai Irok
Savti (Sauti):
4. Savti Sarvinoz
5. Savti Hijoz
6. Savti Husayni
Silsilai Nav'i:
7. Silsilai Nav'i Makomi Segoh
8. Silsilai Nav'i Makomi Irok
9. Silsilai Nav'i Makomi Rost
Mugulchai and Savti are sections of Shashmaqam. The names after Mugulchai and Savti are the names of the Maqams to which they belong. Savti Sarvinoz is a section of Maqam Buzruk. I don't know to which Maqam the other two Savtis belong. All these are vocal pieces performed by either a female or male singer, accompanied by a small ensemble.
Silsilai Nav'i probably means "chain of melodies", which would mean then that these are a series of melodies belonging to the three Maqams mentioned. These are purely instrumental pieces.
The instruments are Sato, Tanbur, Dutar and Doira.
My guess is that all these pieces are performed by musicians of the Acadamy of Shashmaqam in Dushambe.
Here what a visitor of our blog, hk dutorchi, who had helped us before enormously, said on 21st of Sept. 2018:
Here what a visitor of our blog, hk dutorchi, who had helped us before enormously, said on 21st of Sept. 2018:
"I spoke to Sirojiddin Juraev, the dutar player of the Academy of Maqom Ensemble. He confirmed that these are indeed the Ensemble's recordings. These are reference recordings made for students to learn the pieces, so they are sung intentionally with few ornements. In real performance there should be more.
With regards to the Savti Hijoz and Savti Husayni: they are two of the 12 sho'be (branches) that are meant to be "lost" sho'bes of the shashmaqom, which were recreated by the advanced students of the Academy of Shashmaqom. The Savti Hijoz is put under the maqom Segoh, and the Savti Husayni is under maqom Dugoh, both recreated by Xurshed Ibrohimov."
Thank you so much. This is a very valuable piece of information.
See on the Acadamy of Shashmaqam:
https://www.news.tj/en/news/tajikistan/society/20171024/musicians-from-tajikistans-academy-of-maqam-participate-in-international-musical-festival-in-moscow
There are two CDs by the Acadamy of Shashmaqam: a wonderful 70 minutes Maqam-i Rast. Here you can download the booklet to this CD:
https://folkways-media.si.edu/liner_notes/smithsonian_folkways/SFW40521.pdf
The other one was released in 2013 by Ocora - Radio France under the title: "Tadjikistan - Chants et musiques classiques".
There are two CDs by the Acadamy of Shashmaqam: a wonderful 70 minutes Maqam-i Rast. Here you can download the booklet to this CD:
https://folkways-media.si.edu/liner_notes/smithsonian_folkways/SFW40521.pdf
The other one was released in 2013 by Ocora - Radio France under the title: "Tadjikistan - Chants et musiques classiques".
In 2012 we had posted a complete Shashmaqam, recorded on 16 LPs in the early 1960s. See:
Over the years we had posted also a number of other Shashmaqam recordings. See:
As the original is in mp3 format we post here also only the original mp3 files.
Many thanks to Danny for his generosity.
Abduvali Abdurashidov, founder and director of the Acamedy of Shashmaqam
7 comments:
The silsila pieces seems like the instrumental section of shashmaqom that precedes the vocal sections. From the Segoh recording, I can identify all the instrumental pieces (Tasnit, Tarje etc) notated in the Ari Babakhanov transcription.
These pieces are very rarely recorded and so I'm grateful that you are sharing this! This set with a small ensemble is so much more dynamic than the recordings directed by Abdurahim Hamidov (such as this: https://www.discogs.com/%D0%90%D0%B1%D0%B4%D1%83%D1%80%D0%B0%D1%85%D0%B8%D0%BC-%D0%A5%D0%B0%D0%BC%D0%B8%D0%B4%D0%BE%D0%B2-%D0%A1%D1%82%D1%83%D0%B4%D0%B5%D0%BD%D1%87%D0%B5%D1%81%D0%BA%D0%B8%D0%B9-%D0%B0%D0%BD%D1%81%D0%B0%D0%BC%D0%B1%D0%BB%D1%8C-%D0%BC%D0%B0%D0%BA%D0%BE%D0%BC%D0%B8%D1%81%D1%82%D0%BE%D0%B2-%D0%BA/release/9684993).
Thank you very much. I completely agree. Because of recordings like the one you mentioned (available on Discogs) and from the same period the recordings of vocal parts directed by Abduhashim Ismailov are very boring. I guess that those recordings are the ones which made some people dislike Shashmaqam.
this is a gem i started to listen and i kept going from
beginning to end thank u.
roberth
I spoke to Sirojiddin Juraev, the dutar player of the Academy of Maqom Ensemble. He confirmed that these are indeed the Ensemble's recording. These are reference recordings made for students to learn the pieces, so they are sung intentionally with few ornements. In real performance there should be more.
With regards to the Savti Hijoz and Savti Husayni are two the 12 sho'be (branches) that are meant to be "lost" sho'bes of the shashmaqom, which are recreated by the advanced students of the Academy of Shashmaqom. The Savti Hijoz is put under the maqom Segoh, and the Savti Husayni is under maqom Dugoh, both recreated by Xurshed Ibrohimov.
Thank you soooooooooooooooo much. This is a very valuable piece of information. I integrated your comment into the post. I hope this is ok with you. All the best and many many thanks, again.
Tawfiq
Teşekkürler...
since september this has remained a magical and deep listening experience. thank u again
roberth
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