There is on the original LP on side 3 at just before min. 10 a gap of 3 seconds. All copies of this LP show the same fault. My friend LF from Scotland corrected this and cleaned the LPs. Here what he says: "I have prepared a cleaned up version, where the gap has been removed and it is very difficult to hear the join (unless you're listening hard for it). Also all the pops and crackles have been removed. The music is brilliant and the sound is very good."
Many thanks, LF. We offer here now his versions, as flac and mp3 files.
MUMBAI, 27 NOV: Sarangi maestro and classical singer Ustad Sultan Khan, the soulful voice behind hits like 'Piya basanti' and 'Albela sajan aayo re', passed away this afternoon here after prolonged illness.
The Padma Bhushan awardee, 71, who hailed from a family of sarangi players in Jodhpur, was on dialysis for some time, family sources said.
His funeral will take place in Jodhpur tomorrow. Credited for reviving sarangi, Khan is famous for his extraordinary control over the instrument and his husky voice. He started performing at a the age of 11, and later collaborated at the international level with sitar maestro Ravi Shankar, on George Harrison's 1974 'Dark Horse World Tour'.
Khan's was a family of sarangi masters from Rajasthan. He was initially tutored by his father, Ustad Gulab Khan. Later, he trained under Ustad Amir Khan, a classical vocalist of Indore gharana (school).
After establishing himself as sarangi player, Ustad Sultan Khan also worked with musicians from the Hindi film industry, such as Lata Mangeshkar, Khayyam, Sanjay Leela Bhansali apart from collaborating with musicians in the West.
Apart from Padma Bhushan, Khan won numerous musical awards including the Sangeet Natya Academy Award twice, the Gold Medalist Award of Maharashtra and the American Academy of Artists Award in 1998.
Khan was also a members of the Indian fusion group Tabla Beat Science, with Zakir Hussain and American bassist Bill Laswell. His son, Sabir Khan is also a well-known sarangi player.
Ustad Sultan Khan was one of the most beloved musicians of his generation, beloved because of his deeply emotional music and the exquisitely beautiful sound of his instrument. I had once the good fortune to sit - in a concert in the early 80ies or late 70ies in Düsseldorf - in the first row, just about 1 or 2 meters away from him, and remember still very vividly how impressed I was by his being so deeply immersed in his music.
The Call of the Kokila
In his memory a radio broadcast from Deutschlandfunk, Cologne, on November 10, 1994 with Zakir Hussain on Tabla.